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At the border of Bamiyan cliff there were two big standing Buddha statues which stood about one km apart while in the center was carved a smaller image of a sitting Buddha. A series of caves were also carved between these monolithic images and beyond the bigger statue many caves of varying size were used as chapels for both private and communal worship.
For centuries, Bamiyan lay at the heart of the Silk Road, offering
rest to caravans carrying goods across the area between China
and the Roman Empire. Strategically situated in a central location for travelers from North and South and East and West, Bamiyan was a common meeting place for many ancient cultures.
And for 500 years, the Bamiyan valley was one of the major Buddhist centers from the second century up to the time that Islam entered the valley in the ninth century.
All along the valley, three big statues and many caves were carved out from the hill.
The two big images of the Buddha were begun in the second century A.D.
under the patronage of Emperor Kanishka and probably finished around the fourth
and fifth centuries A.D.. The myriad of caves carved in the Bamiyan's cliffs were
home to thousands of Buddhist monks and served as a kind of 'hotel' for
traveling merchants, monks, and pilgrims. The caves were full of paintings and were carved in the same period as the statues;
all the caves were stretched for about 1 km between the two gigantic
Buddha images set in niches at the eastern and western ends of the cliffside.
The valley can be divided in three part:
the western part, where the bigger Buddha image (ca. 55 meters) was carved and that contain the most rich and painted caves; the central part, where a small image and many caves were digged in the hill; and
the eastern part of the valley, with another standing Buddha statue (ca. 38 meters high).
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by fabio@geod.baug.ethz.ch |